Today, it decided to move to another audio file storage service. Meet the new account in one of the best services. Now it is here that will be published unique studio material. Welcome: https://soundcloud.com/bithousehdr

We present our new song produced in the studio Bit House [Home Digital Records] https://soundcloud.com/bithousehdr/intitution

All data used in the November blog about legendary instruments and tools, as well as their virtual counterparts, were taken from here: http://www.audio-hardware-emus.com/  

And at the end of the cycle of blogs about the legendary sound processing devices, musical instruments and their virtual counterparts, we consider selective list of the most popular emulations of studio consoles, their units (compressors and equalizers)

API: Waves API (550A/B, 560, 2500), LSR audio VLB525 (525), URS A10 (560B), URS A Series EQ (550B), URS A Mix EQ, URS CCS Pro 1967 (525, 550A/B; Input Stages: 1967 = 1608/2488 and IronA = API Transformer), PSP Audioware PreQursor (API-esque)
Neve: Waves NLS (5116 console), Waves V-Comp (2254), Waves V-EQ3/EQ4 (1073/1081), Waves Scheps 73 (1073), Kuassa EVE-AT1/4 (1081/1084), URS 1970/1972 (2254/1081), Slate Digital Virtual Mix Rack (1073), IK Multimedia T-RackS CS Precision Comp/Limiter (33609), URS N/N4/N12 Series (1084/1081/1073), URS CCS Pro 1970 (2254/2264,1073; Input Stages: 1970 = 8016 console; 1972 = 8068/8078 console; IronB = 1272/33609 Transformer), PSP Audioware ClassicQ/ClassicQex (Neve-esque), SoundToys Decapitator "N-Setting" (1057 preamp)
SSL: Waves NLS (SSL 4000G console), SSL Duende Native (SSL Bus Compressor/SSL C200 HD Console Channel), Waves SSL 4000 (SSL G-Master Buss Compressor/SSL E/G Channel), Native Instruments Solid Mix Series, T-RackS CS British/White Channel, Slate Digital Virtual Mix Rack (SSL 4000 EQ), McDSP Channel G, URS 1980, URS S Series, URS CCS Pro 1980 (SSL 4000 comp/EQ; Input Stage: 1980 = SSL 4000 E/G console)
Fairchild: IK Multimedia T-RackS CS Fairchild 670, Waves JJP PuigChild 660/670, OverTone FC70, URS CCS Pro Preset: Tube Child 1-4
Pultec: IK Multimedia T-RackS CS Pultec, Waves JJP PuigTec EQP-1A, Softube Tube-Tech PE 1C/CL-1B, OverTone DSP PTC-2A/PTH-2A, PSP Audioware Noble Q, URS FullTec, URS CCS Pro 1951 (also preset “Tube T”, and input stage “IronD”)
Teletronix: IK Multimedia T-RackS CS White 2A, Native Instruments VC2A, Waves CLA-2A/3A, URS CCS Pro Opto2a/b (LA-2A/LA-3A), PSP Audioware oldTimer
Universal Audio: IK Multimedia T-RackS CS Black 76, Native Instruments VC76, Waves CLA-76, Slate Digital Virtual Mix Rack (1176ish), Softube FET Compressor (1176ish), URS CCS Pro “Fet” (1176)
EMI TG/Chandler Limited: Waves NLS (EMI TG12345 console), AbbeyRoad Plugins TG12412 (EMI TG 12410 console EQ), AbbeyRoad Plugins TG12413 (EMI TG 12345 console limiter), AbbeyRoad Plugins TG12414 (TG 12410 console filters and TG 12345 console presence section), SoundToys Decapitator "E-Setting" (Chandler TG preamp)
Manley: Native Instruments Vari Comp/Passive EQ/Enhanced EQ, URS CCS Pro Preset “VNew”
Abbey Road: Waves Abbey Road REDD, Waves Abbey Road RS56 Passive EQ, Abbey Road Plugins RS124 (valve comp), Abbey Road Plugins RS135/137 (EQs)

* Note that the above-mentioned devices and their digital virtual analogue selected only on the personal preferences of the author and are not possible benchmark in this area. This post is not an advertising campaign of various manufacturers of musical equipment!

Today we look at selective collection of legendary synthesizers and their counterparts in the virtual environment of musical instruments. Many of them are popular at this present time.

- Access Virus (-esque): Lennard Digital Sylenth 1, rgc:audio z3ta+ (Cakewalk Rapture), reFX Vanguard, Synapse Audio DUNE, Rob Papen Predator, Urs Heckmann Zebra 2.5, Tone2 ElectraX
- ARP 2600: Arturia ARP2600 V, Way out Ware TimewARP2600
- ARP Odyssey:  GForce Oddity
- Arp Solina String Ensemble: Elektrostudio eSline String
- Clavia Nord Lead 2: DiscoDSP Discovery
- EDP Wasp: DASHSignature daHornet
- Elka Synthex: XILS-lab The Synthix
- EMS Synthi AKS: EMS Synthi A vs, EFM Synthia 2, NinceCows Cynthia
- EMS VCS3: XILS-lab Xils 3
- EMS VCS4: XILS-lab Xils 4
- EMS Vocoder 5000: Eiosis ELS Vocoder
- Ensoniq SQ-80: Siegfried Kullmann SQ8
- Farfisa Mini Deluxe Compact: Martinic Combo Model F
- Fender Rhodes (E-Piano): AAS Lounge Lizard EP4, EZ Keys Classic Electrics, XLN Addictive Keys Mark ONE, Emagic EVP73, GSi MrRay73 Mark II
- Hammond B3/B4 Organ: Native Instruments B4II, GSi VB3
- Hammond Spinet Organ L-122: AM Music Technology VL-122
- Hartmann Neuron: Hartman Neuron VS
- KORG M1: KORG Legacy Collection - Digital Edition
- KORG Wavestation: KORG Legacy Collection - Digital Edition
- KORG MS-20: KORG Legacy Collection – Analog Edition
- KORG MS2000: Superwave Tarkus
- KORG P: KORG Legacy Collection – Analog Edition
olysixKORG Mono/Poly: KORG Legacy Collection – Analog Edition
- Mellotron: GForce M-Tron, IK Multimedia SampleTron
- Moog Little Phatty: Xhun Audio LittleOne
- Moog Memorymoog: Memorymoon Memorymoon
- Moog Minimoog: Arturia Minimoog V, NI MONARK, GForce Minimonsta: Melohman
- Moog Modular: Arturia Moog Modular V
- Moog Taurus: Antti @ Smartelectronix Taurus
- Novation Bass Station: Novation Bass Station
- Novation K-Station: Novation V-Station
- Oberheim OB-X: SonicProjects OP-X Pro, OBXD Synthesizer (free)
- Oberheim SEM V: Arturia Oberheim SEM V, WOK Uncle SAM
- OSC OSCar: GForce impOSCar
- Polivoks (80's Soviet Synth): Image Line Sawer
- Sequencial Circuits Prophet 5: Native Instruments Pro-53, Arturia Prophet V, Memorymoon Messiah
- String Machine: Loomer StringVST, Gforce Virtual String Machine, FXpansion Amber, Nomad Factory ASS Analog String Station
- Syntauri Corporation Alpha Syntauri: Audio Damage Phosphor
- Roland Alpha Juno 1/2: reFX Juno X2, EFM Alpha 2, Dash Signature daAlfa2k
- Roland JP-8000: Superwave P8, Adam Szabo JP6K
- Roland JP-8080: disco DSP Corona
- Roland Juno 6/60: Togu Audio Line TAL-U-No-LX
- Roland Jupiter 8: Arturia Jupiter 8
- Roland SH-101: Sonic Timeworks SH-1001, D16 Group LuSH-101, Togu Audio Line TAL-Bassline-101
- Roland TB-303: Propellerhead ReBirth RB-338, AudioRealism Bass Line, D16 Group Phoscyon, MUON Tau Mk II
- Roland TR-606: D16 Group Nithonat
- Roland TR-808: D16 Group Nepheton, Propellerhead ReBirth RB-338, AudioRealism Drum Machine
- Roland TR-909: D16 Group Drumazon, Propellerhead ReBirth RB-338
- Roland VP-330 Vocoder Plus: XILS-lab XILS V+
- Ruben & Serge Fernandez (RFS) Polykobol: XILS-lab PolyKB
- Waldorf Blofeld: Waldorf Largo
- Waldorf PPG Wave 2.2/2.3/2.V: Waldorf PPG Wave 3.V
- Wurlitzer E-Piano: Arturia Wurlitzer 200A, Applied Acoustics System Lounge Lizard, Mr Ray 22
- Vox Continental Combo Organ: Martinic Combo Model V
- Vox Continental 300: Arturia Vox Continental V
- Yamaha CS-80: Arturia CS-80V, Memorymoon ME80
- Yamaha DX-7: Native Instruments FM8
- Yamaha TX-81Z: Big Tick Rhino

* Note that the above-mentioned devices and their digital virtual analogue selected only on the personal preferences of the author and are not possible benchmark in this area. This post is not an advertising campaign of various manufacturers of musical

Today we look at a list of virtual analog instruments effects: saturation, emulating tube saturation signal harmonic distortion (distortion) and simulation prior
  analog gain (preamp). As well as tools - Simulation of analog recording to tape.

Devices saturation, tube saturation, harmonic distortion and signal preamp:

- Ampex 350 tape drive preamp: Waves Kramer Master Tape, SoundToys Decapitator "A-Setting"
- Chandler/EMI TG Channel preamp: SoundToys Decapitator "E-Setting"
- Dallas Rangemaster (Stompbox): Distorque Audio Rangebastard
- Helios Channel Strip preamp: Waves HLS Channel (Eddie Kramer)
- Ibanez TS808 (Stompbox): Mokafix Audio Cream Tube
- Marshall Guv'nor (Stompbox): ACP SoftAmp SoftDrive GV
- MRX Distortion+ (Stompbox): Distorque Audio Plusdistortion
- Neve 1057 input channel: SoundToys Decapitator "N-Setting"
- ProCo Rat (Stompbox): Mokafix Audio The Bat
- RCA BC-6B Broadcast console tube: Slate Digital VCC ("RC-Tube" setting)
- SPL Vitalizer MK2: SPL Vitalizer MK2
- Thermionic Culture Vulture triode setting: SoundToys Decapitator "T-Setting"


OTHERS (analog modeling): PSP Audioware Vintage Warmer, SPL Twin Tube, SPL Vitalizer MK2, Fabfilter Saturn, iZotope Trash 2, URS Phat C, U-he Satin, Softube Focusing EQ, Sonnox Inflator, Antares Warm, 112dB Redline Preamp, PSP Audioware MixSaturator2, Sonimus Satson, DUY DaD Valve, Nomad Factory BT Analog Valve Driver ADR2S, Silverspike Ruby Tube, Wave Arts Tube Saturator, D16 Group Redoptor (Tube Distortion), Klanghelm SDRR

Emulation of magnetic tape: 

Nomad Factory Magnetic, Waves MPX Master, Waves J37 Tape Machine, Slate Digital VTM, Digidesign Reel Tape, Bootsy Ferric TDS, URS Saturator, Yamaha Vintage Open Deck, Sknote Roundtone, Toneboosters TB ReelBus, DUY DaD Tape, VirSyn VTape, URS 15ips/30ips (CCS Pro), Jeroen Breebaart Ferox, McDSP Analog Channel, Voxengo Tape Bus (Voxengo Analogflux Suite)


* Note that the above-mentioned devices and their digital virtual analogue selected only on the personal preferences of the author and are not possible benchmark in this area. This post is not an advertising campaign of various manufacturers of musical equipment!

Today we look at the effect of compression devices and limiting the signal and their virtual counterparts, which have almost complete similarity with the behavior svomi counterparts in the original. In this list are also popular models of modular compressors and limiters are used in the legendary studio consoles.

- Teletronix LA-2A/3A: Waves CLA-2A/3A, IK Multimedia T-RackS CS White 2A, URS Opto2a/3a (CCS Pro), Cakewalk CA-2A, Native Instruments VC2A, Bomb Factory BF2A/3A, PSP Audioware oldTimer, PSP Audioware MixPressor2, McDSP 6030 Ultimate Compressor, McDSP CompressorBank, Antress Modern The Lost Angel
- Urei 1176LN: Softube FET Compressor, Waves CLA-76, Bomb Factory BF76, IK Multimedia T-RackS CS Black 76, Native Instruments VC76, FXpansion "DCAM Dynamics" ChanComp, Slate Digital Virtual Mix Rack, McDSP 6030 Ultimate Compressor, McDSP CompressorBank, URS Fet (CCS Pro), Yamaha Vintage Channel Strip "Compressor 276", Stillwell Audio The Rocket, Antress Modern The Seventh Sign
- Fairchild 660/670: IK Multimedia T-RackS CS Vintage Compressor Model 670, Slate Digital “Virtual Buss Compressors” FG-MU, Waves JJP PuigChild 660/670, Overtone FC70, Nomad Factory LM-662, Nomad Factory FA770, Bomb Factory Fairchild 660/670, McDSP 6030 Ultimate Compressor, McDSP CompressorBank, URS Child (CCS Pro), Antress Modern The Fire Chainer
- Tube-Tech CL-1B: Softube Tube-Tech CL-1B, URS Tube T (CCS Pro)
- DBX 160/165: Native Instruments VC160, Sknote C165a, Yamaha Vintage Channel Strip "Compressor 260", URS 1975, URS VCA60 (CCS Pro), Slate Digital Virtual Mix Rack, Stillwell Audio Major Tom, McDSP 6030 Ultimate Compressor, McDSP CompressorBank
- SSL 4000 Bus Compressor: SSL Duende Native SSL Bus Compressor, Waves SSL 4000 SSL G-Master Buss Compressor, Native Instruments Solid Bus Comp, T-RackS CS Bus Compressor, FXpansion "DCAM Dynamics" BusComp, URS 1980, Sonalksis SV-315, Cytomic The Glue (SSL XLogic G-Series), Stillwell Audio Bombardier
- SSL 4000 E/G Channel Compressor: Waves SSL 4000 SSL E/G Channel, SSL Duende Native SSL Channel, T-RackS CS British/White Channel, Eareckon ANALOG87 series, Native Instruments Solid Dynamics
- Manley Vari Mu: Native Instruments Vari Comp, McDSP 6030 Ultimate Compressor
- Neve 2254: Waves V-Comp, URS 1970 Classic Console Compressor, Nomad Factory MCL-2269, McDSP CompressorBank
- Neve 33609: IK Multimedia T-RackS CS Precision Comp/Limiter, McDSP 6030 Ultimate Compressor
- Neve 8014 console (-esque): Slate Digital “Virtual Buss Compressors” FG-8014 (see also Focusrite RED)
- API 2500: Waves API 2500
- API 525: LSR audio VLB525, URS CCS Pro 1967
- Rupert Neve Design Portico 5043 Compressor: Steinberg Rupert Neve Design Portico Compressor
- Rupert Neve Design Portico 5015 Compressor (-esque): Slate Digital “Virtual Buss Compressors” FG-4014
- EMI TG12345 console limiter: AbbeyRoad Plugins TG12413 plugin
- Abbey Road RS124 valve compressor: AbbeyRoad Plugins RS124 plugin
- Elysia mpressor: Elysia mpressor plugin
- Elysia alpha compressor: Elysia alpha compressor plugin
- Vertigo Sound VSC-2: brainworx Vertigo VSC-2
- Pye Compressor: Waves PIE Compressor (Eddie Kramer)
- Valley People Dyna-mite: Valley People Dyna-mite by Softube
- Focusrite ISA130: Focusrite Midnight Compressor
- Focusrite RED: Slate Digital “Virtual Buss Compressors” FG-8014 (see also Neve 8014 console)
- Summit Audio TLA-100A: Softube Summit Audio TLA-100A
- Eventide Omnipressor: Eventide Omnipressor native plugin
- SPL Vitalizer MK2: SPL Vitalizer MK2
- Shure M62 Level-Loc: Soundtoys Devil-Loc
- Empirical Labs Distressor/Fatso: PSP Audioware Vintage Warmer, URS Stress (CCS Pro), Cocell Production's Pensadia SOR8 (based on Distressor ELX8), Antress Modern Deathcore
- SSL Listen Mic Compressor: SSL LMC-1
- SSL G384: Antress Modern The Apophis
- Gates SA-39 tube limiter/compressor: Sknote GTS-39, URS CCS Pro (Tube SL)
- Alesis 3630 Dual Channel Compressor/Limiter: discoDSP NighShine Compressor

* Note that the above-mentioned devices and their digital virtual analogue selected only on the personal preferences of the author and are not possible benchmark in this area. This post is not an advertising campaign of various manufacturers of musical equipment!

Today we look at equalization devices and their virtual equivalents in the digital interface. Most equalizers are modular, they are used in the legendary studio consoles.

- API 550A/b, 560: Waves API (550A/b), Slate Digital VCC (API Channel Strip/"US A" setting), PSP Audioware PreQursor, URS A10 (560), URS A Series EQ (550b), URS A Mix EQ
- Pultec EQP-1A: Waves JJP PuigTec EQP-1A, Softube Tube-Tech PE 1C, IK Multimedia T-RackS CS Vintage Equalizer EQP-1A, OverTone DSP PTC-2A Program EQ, PSP Audioware Noble Q, URS FullTec (URS BLT), URS 1951 (CCS Pro), Nomad Factory Pulse-Tec EQP-1A/Program Equalizer EQP-4, Nomad Factory BT Equalizer PEQ2B, G-Sonique Pultronic EQ-110P, Bomb Factory EQP-1A, Sknote EQ1, Antress Modern Black Dragon
- Pultec MEQ-5: Waves PuigTec MEQ-5, Softube Tube-Tech ME 1B, Nomad Factory Pulse-Tec MEQ-5, Bomb Factory MEQ-5
- Pultec EQH-2: OverTone PTH-2A
- SSL EQs: SSL Duende Native SSL Channel (EQ & Dynamics from C200 HD console), Waves SSL E/G Channel, Waves NLS consoles (SSL 4000G console/"SPIKE" setting) Native Instruments Solid EQ, T-RackS CS British/White Channel, Eareckon ANALOG87 series, Slate Digital Virtual Mix Rack, URS S Series EQ, URS S Mix EQ , Slate Digital VCC (SSL G channel/"Brit 4k" setting), McDSP Channel G
- Neve EQ 1073/1084: Waves Scheps 73, Waves V-EQ3 (1073/1066), IK Multimedia EQ 73, Kuassa EVE-AT4, Stillwell Audio 1973, Slate Digital Virtual Mix Rack, URS N Series (Neve 1084), URS N12 Series EQ (Neve 1073), URS N Mix EQ, Nomad Factory BT Equalizer BQ2S, McDSP Filter Bank
- Neve EQ 1081: Waves V-EQ4, IK Multimedia EQ 81, Kuassa EVE-AT1, PSP Audioware ClassicQ/ClassicQex, URS 1972, URS N4 Series EQ, Nomad Factory NEQ-1072
- Neve 8048 console EQ: Slate Digital VCC (Neve 8048 Channel/ "Brit N" settings)
- Neve 5116 console EQ: Waves NLS consoles ("NEVO" setting)
- Rupert Neve Design Portico 5033 EQ: Steinberg Rupert Neve Design Portico EQ, DDMF 6144 EQ
- Manley Massive Passive: Native Instruments Passive EQ
- Manley Enhanced Pultec EQP-1A: Native Instruments Enhanced EQ
- EMI TG12345 Mk 4 console EQ: Waves NLS consoles ("MIKE" setting)
- EMI TG 12410 console EQ: AbbeyRoad Plugins TG12412
- EMI TG 12410 console filters: AbbeyRoad Plugins TG12414
- EMI TG 12345 presence section: AbbeyRoad Plugins TG12414
- Abbey Road REDD (console): Waves Abbey Road REDD consoles plugin
- Abbey Road RS56 passive EQ: Waves RS56
- Abbey Road RS135/137: Abbey Road Plugins RS135/137 (Brilliance Pack)
- Trident A-Range EQ: Softube Trident A-Range EQ
- Trident 80B: Slate Digital VCC (Trident 80B Channel/"ψ" setting )
- Helios Channel Strip (incl. preamp): Waves HLS Channel (Eddie Kramer)
- Summit Audio EQF-100: Softube Summit Audio EQF-100
- Sontec 432 Master EQ: IK Multimedia Master EQ 432
- Sony OXF-R3 Digital Mixing Console EQ: Sonnox Oxford EQ
- SPL RackPack EQ Modules: SPL EQ Rangers Vol.1
- SPL Passeq: SPL Passeq plugin
- SPL Vitalizer MK2: SPL Vitalizer MK2
- Focusrite ISA110: Focusrite Midnight EQ
- Motown 7-band passive EQ: URS MotorCity EQ/Vintage Cinema EQ, Nomad Factory Music-Tone EQ/Film-Tone EQ
- Tonelux Tilt: Softube Tonelux Tilt
- Calrec PQ1549 EQ: IK Multimedia T-RackS CS Classic Equalizer
- BFE/Filtek EQ Mk5 & Neumann PEV 930: Softube Active/Passive (EQ)
- Neumann PEV EQ: TriTone Digital ClassicTone-PEV
- ALTEC 9063B Program Equalizer: Nomad Factory ALL-TECH 9063B
- ALTEC 1567A: SoundToys Radiator
- Mäag Audio EQ4: PLUGIN ALLIANCE Maag EQ4, lkjb Luftikus
- AMEK 501 console: Yamaha Vintage Channel Strip "EQ 601", PSP Audioware ConsoleQ
- MCI console: PSP Audioware McQ

* Note that the above-mentioned devices and their digital virtual analogue selected only on the personal preferences of the author and are not possible benchmark in this area. This post is not an advertising campaign of various manufacturers of musical

Today we look at virtual analogue instruments spatial processing, such as reverbs, delays the signal modules (Delay) and spatial echo emulation.

Devices reverb effect:

- EMT 250: SKnote Rev250, ERS EMpTy 250
- Eventide Stompbox Blackhole: Eventide Blackhole plugin
- Eventide SP2016 Reverb: Eventide 2016 Stereo Room, Princeton Digital Reverb 2016 Stereo Room
- Lexicon 224: Native Instruments Reverb Classics RC 24
- Lexicon 480L: Native Instruments Reverb Classics RC 48, Relab LX480
- Lexicon LXP Series: Lexicon LXP Native Reverb plugin bundle
- Lexicon PCM 96: Lexicon PCM Native Reverb plugin bundle

Devices delay effect:

- Lexicon PCM 42: Lexicon PSP Audioware 42/84
- Lexicon Prime Time Digital Delay: Soundtoys Dirty Little Delay
- Moogerfooger Analog Delay MF-104Z: Bomb Factory Moogerfooger Analog Delay
- RatShack Electronic Reverb: AudioDamage Ratshack Reverb v2.0 (Note: Indeed, it's a delay!)

Virtual instruments and effects tape delay echo:

SoundToys Echo Boy, Nomad Factory ECHOES (Maestro Echoplex 1/3, Tel Ray Echo, Electro Harmonix Deluxe Memory Man, Boss DM-2), T-RackS CS Tape Echo, Fabfilter Timeless 2, GSi Tape Echo GS-201, Digidesign Echo Farm, Audio Damage DubStation

* Note that the above-mentioned devices and their digital virtual analogue selected only on the personal preferences of the author and are not possible benchmark in this area. This post is not an advertising campaign of various manufacturers of musical

Today we look at the list of legendary analog studio consoles, which over the years takes pride of place in the most famous recording studios and recording used in a surprising number of well-known songs.

- Abbey Road REDDconsole: Waves Abbey Road REDD consoles plugin
- API 1608/2488 console: URS CCS Pro 1967 (input stage)
- API Channel Strip: Slate Digital VCC ("US A" setting)
- EMI TG12345 Mk 4 console: Waves NLS consoles ("MIKE" setting)
- Helios Channel Strip: Waves HLS Channel (Eddie Kramer)
- Neve 5116 console: Waves NLS consoles ("NEVO" setting)
- Neve 8016 console: URS CCS Pro 1970 (Input Stage 1970)
- Neve 8014 console: Sonimus Britson
- Neve 8048 console: Slate Digital VCC (Neve 8048 Channel/ "Brit N" setting)
- Neve 8068/8078 console: URS CCS Pro 1970 (Input Stage 1972)
- RCA BC-6B Broadcast Console: Slate Digital VCC ("RC-Tube" setting)
- SSL 4000 E/G channel : Waves SSL 4000 SSL E/G channel, Waves NLS consoles (SSL 4000G console/"SPIKE" setting), T-RackS CS British/White Channel, Slate Digital VCC (SSL G channel/"Brit 4k" setting), McDSP Channel G, Eareckon ANALOG87 series, URS CCS Pro 1980 (input stage)
- SSL C200 HD console channel: SSL Duende Native SSL Channel
- Trident 80B: Slate Digital VCC (Trident 80B Channel/"ψ" setting )

* Note that the above-mentioned devices and their digital virtual analogue selected only on the personal preferences of the author and are not possible benchmark in this area. This post is not an advertising campaign of various manufacturers of musical equipment!

This month, we are planning to look into the topic virtual-analog software. Choose the high-quality representatives, most of his fellow imitating the original. This experiment does not carry advertising of a company development, but simply to help identify the most best of the entire mass of such devices and instruments in the software market. Journal be replenished within two weeks, namely 10, 12, 14, 16, 18, 20 and 22 November, respectively.

ISRC, the International Standard Recording Code, is the internationally recognized identification tool for sound and music video recordings. More information: http://www.usisrc.org/

Free portal where you can find "Guitar Backing Tracks" for working with the engine-cover versions of popular songs: http://www.guitarbackingtrack.com/

We are waiting for "hot" news of software for sound engineers in November!

The long-awaited collection of exclusive IR`s!
https://cloud.mail.ru/public/9j4y/RMPjrDBXd

Today, we are celebrating the International Day of Music! 

Now we can create impulse respones (IR`s) of acoustic spaces and popular guitar and bass cabinets. Testing of specialized technological equipment that will be used in October! The resultant test pulses will be available in the open access.

#bithousehdr #freemaster

Welcome to the official web page of the studio Bit House [Home Digital Records]

http://bithousehdr.far.ru/

Start a blog about the studio works and just observations, and even tests software and hardware!